Cult Classics: The Wrath of Ray Harryhausen
There are plenty of new and vicious monsters unleashed in the new Wrath of the Titans, in theaters Friday – from the 30-foot Cyclops and fire-breathing Chimera to the deadly Minotaur waiting in the depths of the Underworld maze – and you can credit all of their inspiration to one man: Ray Harryhausen.
From the original Clash of the Titans in 1981 to Jason and the Argonauts (1963), Mysterious Island (1961) and the Sinbad movies, Harryhausen pioneered the stop-motion animation technique (he himself was inspired by watching the original 1933 King Kong), bringing rubber and clay to life and fueling the imaginations of young moviegoers for decades, reaching back to such matinee favorites as Mighty Joe Young (1949), It Came From Beneath the Sea (1955), Earth vs. The Flying Saucers (1956) and 20 Million Miles to Earth (1957).
My first experience of the work of Ray Harryhausen came with a big-screen revival viewing of 1958's The 7th Voyage of Sinbad. Already a big fan of dinosaurs, I was blown away by the incredibly believable (for an eight-year-old) creature battles and immediately set out to see as many films featuring Harryhausen's work as I could. In fact, I credit my obsession with multiple-armed religious artifacts to a specific scene in The Golden Voyage of Sinbad (1973) in which the intrepid sailor and his men battle a statue of the six-armed goddess Kali come to life.
Harryhausen's creations are numerous, and each one has their memorable moment, imbued with life one frame at a time. The exciting skeleton sword-fight sequence in Jason and the Argonauts -- which runs for four minutes and thirty seven seconds -- took four and a half months to painstakingly photograph and required an estimated total of 184,800 individual movements. That takes some serious patience.
For the production of The 7th Voyage of Sinbad -- which features a solo skeleton sword fight, a half-woman/half-snake dancer, a giant two-headed vulture and an epic battle between a towering Cyclops and a fire-breathing dragon -- Harryhausen's hands were actually insured for a million dollars.
Ray's attention to detail was legendary. In Clash of the Titans, Perseus' battle with Medusa -- arguably Harryhausen's stop-motion pièce de résistance -- featured shadowy close-ups of the Gorgon that were influenced by shots of Joan Crawford in 1945's Mildred Pierce, while the movement that sees Medusa pulling herself along by her arms was influenced by a character in Tod Browning's Freaks (1932).
All of these incredible production details come from Harryhausen's official website, and after you plunk down your $10 to see Wrath of the Titans, do yourself a priceless favor: Watch a few of Ray Harryhausen's greatest hits with your own Saturday afternoon matinee, and appreciate some of the true artistry that brought magic to the movies -- before too many CGI pixels drained it all out.